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The Shenandoah/
Glasgow Prize
for Emerging Writers
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CONTENTS OF CURRENT ISSUE
Nonfiction
Kirsten Beachy Selling the Farm
Mary Clearman Blew Shadowing
Maxine Kumin Swift to Its Close
Fiction
Lee Smith Open House
Phil Condon Nine-Ten Again
E. B. Vandiver The Only Fiction
Roger Yepsen Hecla Tower
Jessica Treadway Revelation
Laura Brodie from The Widow's Season
Poetry
Richard Foerster Emily Dickinson's Herbarium
Ned Balbo The Trials of Edgar Poe
Stephen Dunn A House, a Desk, and a Chair; The Trail; Turning Yourself into
a Work of Art
Sydney Lea Divination
Heather Kirn Jim Shows Me Twelve Jesuses
Tina Barr Kaleidoscope of Saints
Jennifer Atkinson Canticle of Giotto's Magdalen
David Wagoner Marksmanship
Arthur Sze Retrieval
Jeff Gundy Cuyahoga Evening with Distance and Absence
Elton Glaser Squall Lines
Kevin Hart March
Andrea Hollander Budy Betrayal
Philip Belcher Fear of Giants
Kathryn Kirkpatrick At the Cave Paintings
Mark Sanders In Hurricane, with Horses; Early Morning on Farm Road;
A Thousand Reasons
Haines Eason Placing the Sight
James Malone Smith Making the Bed; Mandelshtam's Wonderful Widow
Interview
Sarah Kennedy Domnica Radulescu -- A Diverse Audience
Book Reviews
Lisa Russ Spaar on Hilda Raz's All Odd and Splendid
Hilary Holiday on Laurie Clement Lambeth's Veil and Burn
Darrin Doyle on Philip Roth's Indignation
Joseph Bates on Peter Selgin's Drowning Lessons and Andrew Porter's
The Theory of Light and Matter
Editor's Note
Heart and Coal
Contributors
Cover
Billy Edd Wheeler / "Coon Creek Girls and Billy Edd"
(Rosie Foley and Lily Man Pennington; from a photograph by Warren Brunner)
oil, 16" x 20", 2002
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